The Center for Soft Power hosted a discussion on the topic of ‘Expanse of Kalaripayattu in the globe today”, in association with Kalarigram – a traditional Kalaripayattu school established during the year of 1950, under the patronage of Guru Veerasree Sami Gurukkal.
The Discussion was led by Lakshman Gurukkal, the lead teacher at Kalarigram and an Ayurveda pracritioner. He is a a Guru of the Sri Vidya tradition. Lakshman Gurukkal has been awarded by the Ministry of Culture, Govt. of India, with the title of Senior Fellowship in Kalaripayattu and Natyashastra. He spoke about the origins of Kalari, saying that “you cannot see this kind of a martial arts anywhere else in the world.” He described how Kalaripayattu was refined in Kerala but has roots all over India. He also described the difference between Kalaripayattu and other forms of combat and marital arts, saying that the aim of it is not just to kill an opponent but also to ensure that no harm is done to one’s own body by ensuring that the movements are not interrupted.
Steina Ohman, a student of Kalarigram from Finland, described how she first came to India as part of an exchange program to study physical theatre in India. She kept coming back to India following this program, so much so that she began to spend more time in India than in Finland. She even had a brief stint bringing other Finnish students to India. She now lives in Pondicherry with Kalarigram.
Daniela Boban, a student of Kalarigram from Croatia, spoke of how she first came to India as part of a three week holiday and has ended up staying for the last 4 years. She was introduced to Kalaripayattu as Kalarigram was next to where she was staying on her visit to India, and upon starting the art form she began to notice the profound effects it had on her, both physically and mentally, and so she decided to stay. “Kalari helped me break the my preconceptions of myself” she says.
Laurence Morlon, a student of Kalarigram from France, first came to Auroville 7 years ago in order to study dance. During her dance classes she was introduced to Kalaripayattu. While initially she found it difficult to balance both dance and Kalari, she began to fall more and more in love with the art form and soon became a devout student of Kalarigram. “In Kalarigram I found a home, and a refuge for my soul” she notes.
The discussion ended with a brief demonstration by the students.